H
by Shadow M. Genesis
Collector #25
π·ππππππππ πππππ, πππππππ πππππππ. πΏππ ππππππππππ, πππππππππππ, ππππππ, πππππππ. πΎππ. Salsa and Merango are slowly drying in the desert. These two lab rats are the last human beings in the universe, and they have one task left to do.
by Lance Weiler
Collector #90
Our debut issue traces LAST HUMANβs roots, from eerie prototypes at Lincoln Center to glitch-laden mobile rituals. Dive into neurothrillers, post-cinema, and AI resistance as we explore a decaying web of synthetic identity, broken interfaces, and the horror of a world where reality no longer loads.
by Dominika ΔupkovΓ‘
Collector #37
Free Trade is the second zine from the Institute of Machine Unlearning. Created during a public collage session, it gathers fragments, fears, jokes, and quiet refusals to explore what AI feels like from the inside of everyday life, where attention becomes currency and imagination becomes resistance.
by Dominika ΔupkovΓ‘
Collector #32
Select All Images That Make Your Bones Shrivel is the third zine from the Institute of Machine Unlearning. Created through public experiments and participatory workshops, it gathers CAPTCHAs that refuse recognition and stretch a small security interface into a collective exercise in critical play.
by Melisa Seah
Collector #22
GEOTYPE is a font with angular shapes, sharp contrasts, and a bold and experimental style. A playful display typeface that's eye catching on every surface. It's the very first font created by Seah Studio, in partnership with the Letterform Archive.
by Dept of Transformation
Collector #13
Conceived by Oliver Herring and recounted by DOT Curator Sam Rauch, TASK is a group artmaking activity that can lead to collective chaos (and a lot of fun!)
by Underground Art And Design
Collector #20
"Alt-Alterity" envisions a world where the notion of βalterityβ dissolves, making way for new affinities. In response to an era marked by crisis, this curatorial project serves as an artistic provocation, navigating you through speculative realities, rebellious technologies, and fluid identities shaped by the ideas and works of 31 artists.
by Dept of Transformation
Collector #52
"Workshop of Workshops" by P. Krishnamurthy, explores various organizational structuresβstudio, gallery, school, therapy, and templeβanalyzing their advantages and disadvantages in fostering creativity, collaboration, and individual development. PK proposes a "new workshop" model that to merge the best aspects of these formats.
by Jourden Fenner
Collector #57
A girl travels to Copenhagen to retrieve mysterious black market death pills.
by Laura
Collector #9
In 2007 I met a musician on Myspace β a Brit living in Reykjavik. We fell in love. For 9 months, we swapped songs, art, letters, Skype calls & brief moments in real life, kissing in cars. In 2016 I traveled to Iceland to make a project about our relationship. This book is the result. Begin Forwarded Message tells our story from beginning to end.
by Maddie Nicolas
Collector #3
Save your clothes and learn how to bring them back to life with this instructional zine and mending kit.
by Jeff Wood
Collector #19
A science-fiction liturgy and pilgrimage to the Agion OrosβMt. Athos, Greece. Video, text and field recordings by Jeff Wood.
by LJAV
Collector #5
A visual investigation of polarization in the USA In collaboration with Angelo Semeraro (IG @semeraro.studio)
by Domingo Beta
Collector #18
A zine about the collapse of reflection in a culture of infinite visibility. A fractured mirror inviting readers to rethink what it means to be seen.
by Yancey Strickler
Collector #199
A trilogy of essays published from 2019 through 2021 that explores why I and others feel less comfortable showing our true selves online. Reissued here with the original piece, two follow-up essays, and a podcast conversation with The Stoa exploring the concept.
by Yancey Strickler, and IY
Collector #215
An exploration of individuality after the internet. The Post-Individual includes: βΒ The Post Individual essay βΒ An audio recording by the author βΒ A video introduction βΒ Research notes, early drafts, and slides
by Michael Betancourt
Collector #29
CMYK is an asemic poetry book published by Swedish press Timglaset. It was their blackest book ever and simultaneously one of their most colorful. Now out of print, it was originally published in an edition of 99 copies, and was a winner in The Society of Typographic Arts 45th STA100 in 2024
by Jesse J. Anderson
Collector #35
Extra Focus: The Quick Start Guide to Adult ADHD is your starter guide to understanding your ADHD brain and learning a smarter way to find motivation.
by Identity 2.0, and danielle paterson
Collector #38
A zine documenting conversations about resistance from activists outside of technology to translate into modes of resistance against genAI models.
by Yancey Strickler, Erin, and 7 more
Collector #152
The original essay, ideas, and research that inspired Metalabel, including: βΒ Unpublished research and thinking from May 2021 βΒ The initial manifesto, first published in February 2022 β Further research, first published in October 2022 Preserved and collectible as a new media archive.
by Logos
Collector #17
Mini pocket zine covering a tactical guide on protecting your digital footprint at events.
by Dept of Transformation
Collector #22
P.P.P.P.P.P. (People! Practice Participating in Participatory Projects, Please.) by Naoco Wowsugi, 2023 βWhy are artists always seen as the leaders or organizers? Why canβt you be an artist by being a participant?β βNaoco Wowsugi
by postmodern tectonics β’
Collector #70
a rumination on why small things need to make a big comeback
by Brandon Stosuy
Collector #174
A 52-page zine exploring how artists can channel their creative anxiety. Features contributions and insights from Aubrey Plaza, Melissa Broder, Anelise Chen, Jlin, Mike Rugnetta, Henry Rollins, and Nikki Sixx
by Rina Beaumont
Collector #17
a girl's bedroom story for the vanishing second internet, this .pdf is a collectible scrap taken from an ongoing confessional prose-poetry project. it is for the girl and her shadow. it should be read alone at 4am, or opened and discarded like an inexpensive gift.