Lillian

Institute of Machine Unlearning

Collector #50

Select All Images That Make Your Bones Shrivel is the third zine from the Institute of Machine Unlearning. Created through public experiments and participatory workshops, it gathers CAPTCHAs that refuse recognition and stretch a small security interface into a collective exercise in critical play.

Institute of Machine Unlearning

Collector #54

Free Trade is the second zine from the Institute of Machine Unlearning. Created during a public collage session, it gathers fragments, fears, jokes, and quiet refusals to explore what AI feels like from the inside of everyday life, where attention becomes currency and imagination becomes resistance.

Institute of Machine Unlearning

Collector #95

Cosmic Sans Software is the first zine from the Institute of Machine Unlearning. Born from a workshop, it brings together collages made collectively as playful, critical detours into how AI is pictured and imagined and how we see, feel, and unlearn with machines.

Institute of Machine Unlearning

Collector #12

The fourth issue of the Institute of Machine Unlearning's zine series documenting Three Sad Tigers Eat Cereal at the Server Farm (2026), the Institute's first exhibition featuring participatory artworks exploring AI, datasets, recognition, and collective play.

A Thousand Forests

Collector #1225

"Legal Structures for Creative Practices" is an illustrated zine designed for creative entrepreneurs that unpacks the pros, cons, and nuances of various legal structures to help choose the one that will best suit their unique practice. View the digital zine at: AThousandForests.com

Hard Art

Collector #464

We are a cultural collective of artists, activists, and scientists standing in solidarity in the face of climate and democratic collapse. We’re starting a new creative movement. Join us.

Rebecca Clark

Collector #325

BOOK of HOURS is a free 236-page PDF intended to be viewed in 2-page format on a handheld digital device. Taking the idea of the medieval prayer book into the virtual age, it provides light but also underscores our vast separation from the natural and spiritual worlds.

Anna Zhang

Collector #104

Mean Hand is a typeface made from the average of thousands of individual samples in the EMNIST dataset: 814,255 handwritten characters gathered by the US government in the early 1990s to automate Census form processing. The font covers the full alphabet and digits across nine weights.