The dawn of a new epoch often arrives without fanfare-a subtle shift in the wind, an almost imperceptible change in the cadence of daily life. So it was with the advent of non-human knowledge workers. Now they populate our workplaces, outnumbering their human colleagues. Their presence has reshaped not only the mechanics of work, but its soul.
An alternative frequency on reality and ongoing collective practice of self-portrayal and channeling alternate realities through the intuitive remix of local newspapers’ headlines.
An alternative frequency on reality and ongoing collective practice of self-portrayal and channeling alternate realities through the intuitive remix of local newspapers’ headlines.
An alternative frequency on reality and ongoing collective practice of self-portrayal and channeling alternate realities through the intuitive remix of local newspapers’ headlines.
"Alt-Alterity" envisions a world where the notion of “alterity” dissolves, making way for new affinities. In response to an era marked by crisis, this curatorial project serves as an artistic provocation, navigating you through speculative realities, rebellious technologies, and fluid identities shaped by the ideas and works of 31 artists.
A collection of art from anti- & pro- art rapscallions. Read it online for free www.charlys.world/gorgeouslife
Our first release is a re-release from counts on fingers... sixteen years ago!
Coming soon is a freshly annotated version that fills in some of the gaps between then and now - a kind of "director's cut" if you like.
But since there are now adults around who were in kindergarten at the time, we thought we'd start at the very beginning.
Aesthetics for Forgetting - part coffee table book, part artist text - is an anthropological fever dream that explores the intersections of memory, media, and manipulation.
Why do we approach AI chatbots as modern-day oracles? This issue of the Slow AI Series “[Dis]enchantment: A zine about Esoteric AI” summons 54 pages of magic, divination, folklore, and other arcane ways of knowing to disenchant then re-enchant our relationship with algorithmic systems.
Inner Space. A love story. Art and ideas aimed at transcending the small self by stripping away the borders and boundaries between ourselves, and the world.
Collection of flipbook animations, all starting with the same face, going different places. Released as blind boxes, what animation you receive is a mystery.
DIGITAL ID CARDS ARE HERE & MORE COMING SO WHY NOT COLLECT A LIMITED EDITION POLLY PARADISE DIGITAL AI ART ID CARD TO SHOW YOUR SUPPORT OF DEMOCRATIZING ART FROM POLLY PARADISE which uses the CC0 1.0 Universal License. This ensures creative freedom for all with purchased images from POLLY PARADISE AI Digital Artshop.
A 15min-ish guided meditation to establish awareness of the breath as an anchor to the present moment. Designed especially for those who find it difficult to stay with the breath. No prior knowledge necessary. Open to all levels of practitioners.
The first available public declaration and guiding principles of the Deterministic Intranasal Guild, as written and executed by the Board Of Olfactory Grazing Engagement Review.
A Phone of the Artist as a Young Man is a dizzying descent into digital madness, where one man's screen addiction and artistic ambitions collide in a genre-bending exploration of love, technology, and the disintegration of the modern mind. It's the first ever long-form screenshot.
Digital calendar includes every month from January to December of 2025. This is a calendar in PDF format and not a physical product.
Who cares if we agree what art is? People still love a crazy looking sculpture even if they aren't sure whether it's art, or even whether it's beautiful. Then why do we care so much about understanding gender? Is it not enough to "move on" from gender and just respect people for who they are? Let's talk about it.
Doesn't exactly fit here, because it's a "normal" song or a snippet of the song. I added a poem, though.
Explore Britain's iconic brutalist architecture by immersing yourself in sound and vision.
Photographs by Jo Underhill
Music by Carl Woodcroft